AFTRS Lecturer in Creative Practice and Theory Maija Howe.
Maija’s research explores intersections between screen forms, cultures, technologies and industrial conditions, focusing particularly on amateur, experimental, feminist and queer screen practices. Maija has worked on large scale screen commissions including Soda_Jerk’s Terror Nullius (2018) and Sam Smith’s Cameraman (2011), and her writing has appeared in publications such as The Moving Image, Senses of Cinema, NiTRO, and Amateur Filmmaking: The Home Movie, The Archive, the Web.
Maija’s passion for screen innovation is driving her current interest in AI and its implications for the screen and sound industries.