A staggering 35 films by over 150 AFTRS students and alumni will be on show at the 2021 edition of St Kilda Film Festival, Australia’s longest-running short film festival.
Selected from hundreds of submissions from across Australia, 32 of these works will appear as part of the festival’s central program, the Australia’s Top 100 competition, screening online and in contention for several cash prizes and craft awards. Featured among them are eight AFTRS student productions, including 2019 Master of Arts Screen capstone projects, Peter Skinner’s ADG-nominated Lost Boy; Xanthe Dobbie’s NewFest (NY)-selected Elagabalus; Alexis Talbot-Smith’s (Graduate Certificate Screen: Directing, 2018) genre festival favourite (directed by Millie Malcolm, Graduate Certificate Screen: Directing, 2018) The Familiars; Naomi Fryer’s Flickerfest-winning and ADG-nominated This River; Lev Libre-Jutsen’s (Bachelor of Arts Screen: Production, 2018) Erwin; Archie Chew’s Flickerfest-winning The End, The Beginning and Jeremy Nicholas’ Necktie, which recently made its debut at Adelaide Film Festival. Also in this group is Gabriel Morrison’s 2019 Bachelor of Arts Screen: Production graduate project, Joy.
2019 Bachelor of Arts Screen: Production graduate Erika Felton’s second-year AFTRS project, Who’s Afraid of the Big Bad Wolf?, has been selected as a finalist in the Under the Radar competition, a showcase of work from emerging filmmakers under 21 years of age. The film was made with fellow Bachelor of Arts Screen: Production classmates, producer Mariella S. Solano, cinematographer Roger Stonehouse, editor Jaslyn Mairs, production designer Sidonie Pitot de la Beaujardiere, composer Ben Bauchet and sound designer Steve Khoury, and will screen alongside Emmanuelle Matanna’s The Odyssey, which showcases the work of assistant camera person Hazal Alakus (Foundation Diploma, 2014).
Also appearing as part of the Australia’s Top 100 Competition, across several different program sessions are –
Australia’s Top 100: Dark Matter
The Moogai
Director: Jon Bell
Sound designer: Sam Petty (Extension, 1991)
Production designer: Bethany Ryan (Graduate Diploma in Production Design, 2012)
Australia’s Top 100: Imagination
Mystic Pines
Director/writer: Zoe Pepper (Graduate Certificate in Directing Fundamentals, 2012)
Moonrise
Director: Rowena Potts (Graduate Diploma in Documentary, 2014)
Sound designer and mixer: Annie Breslin (Graduate Certificate in Screen Culture, 1993), Peter Johnson (Specialist Extension Certificate Sound, 1993)
Golem
Director: Ryan Cauchi
Composer: Me-Lee Hay (Graduate Certificate: Screen Music, 2010)
Mixer/sound designer: Georgia Collins (tutor)
Colourist: Lachlan Early (Diploma in Camera Fundamentals, 2016; Diploma in Grading, 2017)
Australia’s Top 100: Forbidden Fruit
Ellie Was Here
Director: Rowena Rasmussen (Graduate Certificate Screen: Directing, 2018)
Producer/director of photography/editor: Joel Rasmussen (Graduate Certificate Screen: Cinematography, 2018)
Composer: Brontë Horder (Graduate Certificate Screen: Music, 2018)
Sound mixer and designer: Lana Kristensen (Graduate Diploma in Sound, 2014)
First assistant camera: James Anderson (Graduate Certificate Screen: Cinematography, 2018)
Second assistant camera/best boy: Camille Baldassari, Gokul Mandalapu (both Graduate Certificate Screen: Cinematography, 2018; Diploma in Camera, 2017)
Art Dept: Rosanna Scarcella (Graduate Certificate Screen: Directing, 2018)
Australia’s Top 100: Australian Comedy Showcase
Groundhog Night
Director/actor: Genevieve Clay-Smith (Graduate Certificate in Screenwriting Fundamentals, 2014; Masters of Screen Arts, 2013)
Screenwriter/actor: Emily Dash (Talent Camp NSW, 2019)
The Test
Director: Jessica Smith
Composer: Thomas Rouch (Graduate Certificate: Screen Music, 2009)
Kerinne (episode of Liberty Street)
Director: Luke Marsden (Master of Screen Arts, 2017; Graduate Diploma in Directing, 2014)
Cinematographer: Emma Paine (Graduate Diploma in Cinematography, 2010)
Editor: Jessie Hildebrand (Master of Arts Screen, 2018; Graduate Diploma in Editing, 2011)
Sound designer: Lana Kristensen (Graduate Diploma in Sound, 2014)
Animator/compositor: Andrew Brown (Master of Arts Screen, 2019; Advanced Diploma in Visual Effects, 2017)
Australia’s Top 100: Australian Animation Showcase
Jett
Director: Michi Marosszeky (Graduate Certificate in Screen Culture, 2012)
Producer: Paul Sullivan (Graduate Diploma: Screen Business, 2010)
Australia’s Top 100: Age of Innocence
Spark
Director: Sophie Hackshaw
Writer/producer/actor: Madeleine Jurd (current Bachelor of Arts Screen: Production student)
Sound designer: Mikey Burford (Bachelor of Arts Screen: Production graduand)
Sound recordist: Cy Norman (Advanced Diploma in Production Sound, 2018)
Assistant camera: Justin McLean (current Bachelor of Arts Screen: Production student)
Beverly
Director: Roma D’Arrietta (Foundation Diploma, 2009)
Producer: Cyna Strachan (Graduate Diploma in Producing, 2014)
Production designer: Ruby Mathers (Graduate Diploma in Production Design, 2013)
Sound effects editor: Andrew Miller (Master of Arts: Film and Television – Sound Design, 2009; Graduate Diploma in Location Sound Recording, 2007)
Dialogue editor: Derryn Pasquill (Master of Arts (Film and Television) Sound Design, 2003)
Australia’s Top 100: Headspace
The Listening
Director: Milena Bennett
Producer/writer: Geoffrey Bennett (Diploma Directing, 1978)
Australia’s Top 100: Suburban Keyholes
Objects of my Disaffection
Director: Sarah-Jane Woulahan
Editor: Florence Holmes (Graduate Diploma in Editing, 2013)
Australia’s Top 100: Tall Tales and True
A Godless Country
Director: Jesse Richardson
Producer/editor: Dave Redman (Master of Arts (Film & Television) Editing, 1997)
Trapped
Director/writer: Tony Bosch
Cinematographer: Neale Maude (Specialist Extension Certificate Cinematography, 1993)
Production designer: Catherine Mansill (Certificate, 1991)
Nowhere Arkansas
Director: Robert Linsley
Cinematographer: Joel Froome (Graduate Diploma: Cinematography, 2009)
Australia’s Top 100: Things Unsaid
Maya
Director: Will Suen (Graduate Certificate in Directing Fundamentals, 2016)
Producer/cinematographer: Jamie McVicker (Master of Arts Screen, 2019)
Associate producers: Jeremy Nicholas (Master of Arts Screen, 2019), Peter Skinner (Master of Arts Screen, 2019; Graduate Diploma in Directing, 2013)
Editor: Ondine Morice-Pearce (Graduate Certificate Screen: Editing, 2018)
First assistant camera: Calum Riddell (Master of Arts Screen, 2019)
Stills photographer: Harri Sharp (Bachelor of Arts Screen: Production, 2018)
After Saturn
Director: Samuel Lucas Allen
Composer: Pru Montin (Master of Screen Arts, 2010)
Australia’s Top 100: A Sting in the Tail
The Boy Who Cried Mud
Director: Bradley Murnane
Colourist: Brad Francis (Diploma in Editing, 2017)
Australia’s Top 100: Fringe Dwellers
Torch Song
Director: Stephen Lance
Cinematographer: Benjamin Cotgrove (Graduate Diploma in Cinematography, 2014)
Sound Designer: Thom Kellar (Graduate Diploma in Sound, 2011)
Jadai: The Broome Brawler
Director: Nathan Mewett (Master of Arts Screen, 2018), Curtis Taylor
Screenwriter: Melissa Lee Speyer (Master of Arts Screen, 2018)
Actor: Lauren Clair (Master of Arts Screen, 2018)
Accounts of a Nuclear Whistleblower
Director: Naveed Farro
Sound designer: Lachlan Harris (Graduate Diploma in Sound, 2012)
The Bus to Birra Birra
Director: TJ Power
Sound: Lachlan Harris (Graduate Diploma in Sound, 2012)
Australia’s Top 100: Moving Portraits
What Was It Like?
Directors: Joni Campbell, Liam Vosu, Nathan Basha, Shay Bell, Chloe Morrison-Greet, Sangeetha Punnia-Moorthy, Jack Leighton, Ricky Kremer
Writers: Genevieve Clay-Smith (Graduate Certificate in Screenwriting Fundamentals, 2014; Master of Screen Arts, 2013), Lianne Mackessy (Advanced Diploma in Screenwriting: Feature Film, 2016)
Producer: Genevieve Clay-Smith
TÂM, directed, produced, written and edited by Nora Niasari (Graduate Certificate in Documentary, 2011) with cinematography by Sherwin Akbarzadeh (Graduate Diploma in Cinematography, 2011) is also set to appear in the Made in Victoria strand.
And, in addition to screening as part of the Top 100 competition, Groundhog Night, Kerinne,and The Moogai have all been selected to show at the festival’s opening night event.
Accredited by the Academy of Motion Picture Arts and Sciences, the St Kilda Film Festival is an Academy Awards qualifying event, with award-winning films from the Australia’s Top 100 Short Films Competition eligible for consideration in the Short Film Awards and Documentary Short sections of the Oscars.
The 2021 edition is being run as a part virtual, part in theatre event from 20-29 May. See the full program here.
Update: AFTRS student and alumni films nominated for festival awards.
AFTRS student and alumni films have picked up 17 nominated across 11 categories at this year’s awards. Nominations include –
Best Short Film
– Erwin (Dir: Lev Libre-Jutsen, Prod: Nic Parker, Lev Libre-Jutsen)
– Lost Boy (Dir: Peter Skinner, Prod: Susannah Wolff, David Shyegunr)
– Joy (Dir: Gabriel Morrison, Prod: Matthew Bunin)
Best Director
– Joy (Gabriel Morrison) ¬¬
– Groundhog Night (Genevieve Clay-Smith and Rawley Reynolds)
Best Documentary
– What Was it Like? (Dir: Genevieve Clay-Smith, Prod: Dianna La Grassa, Genevieve Clay-Smith)
– Jett (Dir: Michi Marosszeky, Prod: Paul Sullivan)
Best Achievement in Indigenous Filmmaking
– The Moogai (Dir: Jon Bell, Prod: Samantha Jennings, Kristina Ceyton, Taylor Goddard, Mitchell Stanley)
– JADAI: The Broome Brawler (Dir: Curtis Taylor, Nathan Mewett, Prod: Glen Stasiuk)
Best Actor
– Liz Harper (Joy)
Best Achievement in Cinematography
– Erwin (Ollie Ritchie)
Best Achievement in Screenplay
– Groundhog Night (Emily Dash)
– Joy (Gabriel Morrison & Serena Siow)
Best Achievement in Editing
– A Godless Country (Dave Redman ASE)
Best Young Actor
– Julia Savage (The Familiars)
Best Achievement in Sound Post-Production
– The Familiars (Stuart Melvey)
Best Original Score
– After Saturn (Pru Montin and Michael Raye)
– Erwin (Kae M Black)
AFTRS STUDENT FILMS AT THE 2021 ST KILDA FILM FESTIVAL
Elagabalus
Director/editor: Xanthe Dobbie (Master of Arts Screen, 2019)
Writer/continuity: Samuel Herriman (Master of Arts Screen, 2019)
Story: Xanthe Dobbie, Samuel Herriman (both Master of Arts Screen, 2019)
Producer: Alexis Talbot-Smith (Master of Arts Screen, 2019)
Cinematographer: Sidat de Silva (Master of Arts Screen, 2019)
Composer: Jorde Heys (Master of Arts Screen, 2019)
Production designers: Lily Bennet (Bachelor of Arts (Screen), 2017; Foundation Diploma, 2013), Max Boutwell Draper (Bachelor of Arts (Screen), 2017)
Costume designer: William Tran (Graduate Certificate Screen: Editing, 2018; Bachelor of Arts (Screen), 2017)
Sound designer/boom operator: Rowan Yeomans (Bachelor of Arts Screen: Production, 2018)
Sound recordist: Tahira Donohoe-Bales (Bachelor of Arts Screen: Production, 2018)
First assistant camerapeople: Jeffrey Truong, Petra Leslie (Second-year Master of Arts Screen: Cinematography student)
Second assistant cameraperson: Nicola Kirkby
Camera operator/third electrics: Eduardo Castello
First assistant director: Archie Chew (Master of Arts Screen, 2019)
Second assistant director: Didi de Graaf (Bachelor of Arts Screen: Production, 2018)
Production and unit manager: Gita Raju
Production assistants: Alicia Easaw-Mamutil (Master of Arts Screen, 2019), Jeremy Heddle, Kate Searle, Danielle Stamoulos
Gaffer: Martin Perrott
Key grips: Tony Bosch, Kristian Bruneteau
Standby props: Jayden Chessells (Bachelor of Arts (Screen) 2017; Foundation Diploma, 2014)
Art department assistants: Charlotte Van Ewyk, Calum Wilson-Austin
Costume assistants: Rachael Williams, Brooke Harnett
Makeup/hair supervisor: Jade Diaz
SFX/makeup artist: Adeline Li
Makeup assistants: Andrew Annas, Erin Jayne, Emily McDonnell, Bianca Tamanini
Still photographers: Jamie McVicker (Master of Arts Screen, 2019), Lexy Potts
Assistant editor: Hannah Smith (Diploma in Editing, 2017)
Preproduction VFX supervisor: Andrew Brown (Master of Arts Screen, 2019; Advanced Diploma in Visual Effects, 2017)
Colourist: Yanni Kronenberg
Score producer: Cameron Patrick
Music mixer: Greir Gunnerson
Sound mixer: John Hresc
Assistant score editor: Noah Heys
Necktie
Writer/director: Jeremy Nicholas (Master of Arts Screen, 2019)
Producer: Lauren Clair (Master of Arts Screen, 2018)
Cinematographer: Sidat de Silva (Master of Arts Screen, 2019)
First assistant director: Peter Skinner (Master of Arts Screen, 2019; Graduate Diploma in Directing, 2013)
Third assistant director: David Luff (current Bachelor of Arts Screen: Production student)
Continuity: Orla Doyle (Bachelor of Arts Screen: Production graduand) and Samuel Herriman (Master of Arts Screen, 2019)
Boom operator: Cy Norman (Advanced Diploma in Production Sound, 2018)
Unit manager: Alicia Easaw-Mamutil (Master of Arts Screen, 2019)
VFX artist: Yathi Kidambi (Bachelor of Arts Screen: Production, 2019)
Colourist: Jaclyn Paterson (Diploma in Grading, 2017)
Joy
Director/writer: Gabriel Morrison (Bachelor of Arts Screen: Production, 2019)
Producer: Matthew Bunin (Bachelor of Arts Screen: Production, 2019)
Cinematographer/colourist: Nicholas Jansz (Bachelor of Arts Screen: Production, 2019)
Production designer: Nicki Brancatisano
Editor: Hugh Morris-Clarke (Bachelor of Arts (Screen), 2017)
Composer: Toby Anagnostis
Costume designer: Maddy Bolt
Sound designer/re-recording mixer: Sean Furze (Bachelor of Arts Screen: Production, 2019)
Story by: Gabriel Morrison, Serena Siow (Bachelor of Arts Screen: Production, 2019)
Head sound recordist: Vincent Nguyen (Bachelor of Arts Screen: Production graduand)
Boom operators: Thomas Morphett, Dylan Logue (Bachelor of Arts Screen: Production, 2019; Advanced Diploma in Screenwriting: Series Television, 2016), Roley Lewis (Bachelor of Arts Screen: Production, 2019), Yathi Kidambi (Bachelor of Arts Screen: Production, 2019), Sean Furze (Bachelor of Arts Screen: Production, 2019)
Production assistant: Kumar Sambhav Gupta (Current Bachelor of Arts Screen: Production student)
First assistant director: Georgie Gordon (Bachelor of Arts Screen: Production, 2019)
Second assistant director: Kyra Lihachov (Bachelor of Arts Screen: Production, 2019)
Gaffer: Jeremy Ghali
Grip: Jono Le Grice (current Bachelor of Arts Screen: Production, 2019)
First assistant Camera: Gerard Cabellon (Bachelor of Arts Screen: Production, 2018), Christine Anderson (Bachelor of Arts Screen: Production, 2018)
Set dresser: Georgie Gordon (Bachelor of Arts Screen: Production, 2019)
WHS risk assessment officer/first aid officer/catering: Matthew Bunin (Bachelor of Arts Screen: Production, 2019)
Casting: Mariella Solano (Bachelor of Arts Screen: Production, 2019)
Stills photographers: Jeremy Ghali, Sean Furze (Bachelor of Arts Screen: Production, 2019)
Voice over artist: Cody Jarrett
Foley artist: Jayden Hogan
The End, The Beginning
Director: Archie Chew (Master of Arts Screen, 2019)
Producer: Alicia Easaw-Mamutil (Master of Arts Screen, 2019)
Writer: Samuel Herriman (Master of Arts Screen, 2019)
Concept: Samuel Herriman, Archie Chew, Alicia Easaw-Mamutil
Cinematographer: Nick Najdov (Master of Arts Screen, 2019; Diploma in Camera, 2017)
Production designer: Ara Nuri Steel, Courtney Westbrook, Aracourt
Costume designer: Brianna Patrice Russell
Editor: Xanthe Dobbie (Master of Arts Screen, 2019)
Composer: Jorde Heys (Master of Arts Screen, 2019)
Sound designer and mixer/foley engineer: Nathan Turnbull
First assistant directors: Julian Ryan, Emma Jamvold
Second assistant director: Sal Balharrie
Third assistant director: Peter Skinner (Master of Arts Screen, 2019; Graduate Diploma in Directing, 2013)
Continuity: Samuel Herriman (Master of Arts Screen, 2019)
Production managers: Felicity Sculthorpe, Gabrielle Ferguson
Locations manager: Gary Poile
Production assistants: Vincent Power, Alec Wilson, Nathan Cleary
Costume supervisor: Frances Harvey
Costume assistant: Sue Bateman
Makeup artists: Erin Leite, Jade Diaz
Art department assistant: Mel-Annie Turner-Carlin
Sound recordists: Tahira Donohoe-Bales (Bachelor of Arts Screen: Production, 2018), Jeremy Nicholas (Master of Arts Screen, 2019)
Boom operator: Blake Williams
First assistant camera: Bebi Zekirovski (Graduate Certificate Screen: Cinematography, 2017; Diploma in Camera Fundamentals, 2016)
Second assistant camera: Jamie McVicker (Master of Arts Screen, 2019)
Gaffer: Aaron Ashwood
Grip: Tony Bosch
Best boy: Vincent Power
Grip assistant: Jeremy Nicholas (Master of Arts Screen, 2019)
Colourist: Michael Angelis (Graduate Certificate Screen: Cinematography, 2017)
Stills photographer: Mark Chew
On-set illustrator: Judith Chew
Assistant editor: Hannah Smith (Diploma in Editing, 2017)
Family Tree illustrations: Mathilda Robba
Music mixer/recording engineer: Greir Gunnerson
Casting directors: Stephanie Pringle and Alison Fowler from Chicken and Chips
WHS risk assessment: Roger Graham
Score producer: Cameron Patrick
Foley artist: Sam Grimshaw
The Familiars
Director: Millie Malcolm (Graduate Certificate Screen: Directing, 2018)
Screenwriter: Octavia B. Martin (Graduate Certificate Screen: Screenwriting, 2018; Advanced Diploma in Script Editing and Development, 2017; Advanced Diploma in Screenwriting: Feature Film, 2016)
Story by: Octavia B. Martin, Alexis Talbot-Smith (Master of Arts Screen, 2019)
Producer: Alexis Talbot-Smith
Cinematographer: Calum Ridell (Master of Arts Screen, 2019)
Production designers: Lily Bennett (Bachelor of Arts (Screen), 2017), Max Boutwell Draper (Bachelor of Arts (Screen), 2017).
Editor: Xanthe Dobbie (Master of Arts Screen, 2019)
Original Music by Jorde Heys (Master of Arts Screen, 2019)
Costume Designer: Laura McGenniss (Foundation Diploma, 2011)
First assistant cameras: James McVicker (Master of Arts Screen, 2019), James Ward-Miller (Graduate Certificate Screen: Cinematography, 2018)
Sound Recordist: Tahira Donohoe-Bales (Bachelor of Arts Screen: Production, 2018)
Continuity: William Hadinata (Bachelor of Arts Screen: Production, 2018), Samuel Herriman, Master of Arts Screen, 2019
Boom operators: Victoria Palmer, Blake Williams
Second assistant camera/data wrangler: Nicola Kirkby
B camera operator: Eduardo Castello
B camera/first assistant camera: Patrick Wiecks
First assistant director: Sophie Renae
Second assistant director/unit manager: Jeremy Heddle
Production assistant: Jonathan Baker, Lillianne Lord
Gaffer: Gourav Gandhi
Grip: Tony Bosch
Best boys: Camille Baldassari (Graduate Certificate Screen: Cinematography, 2018; Diploma in Camera, 2017), Benjamin Bellette (Current Master of Arts Screen student), Rasmus Callmer
Third electrics: Patrick Wiecks, Michael Thompson
Standby props: Jayden Chessels Bachelor of Arts (Screen), 2017; Foundation Diploma, 2014)
Makeup supervisor: Erin Leite
Makeup assistant: Ruby Dollin
WHS risk assessment: Brian Grogan
Stills photographers: Grace Carlton, Trudi Gultom (Diploma in Camera, 2017), Serena Siow (Bachelor of Arts Screen: Production, 2019)
Assistant editor: Hannah Smith (Diploma in Editing, 2017)
Sound designer: Rumble Studios
Music mixer: Geir S. Brillian
Sound mixer: Stuart Melvey (Master of Arts Screen, 2018)
Colourist: Luciano Marigo-Spitaleri
Lost Boy
Director/writer: Peter Skinner (Master of Arts Screen, 2019; Graduate Diploma in Directing, 2013)
Producers: Susannah Wolff, David Shyegun (Graduate Certificate Screen: Creative Producing, 2018)
Cinematographers: Calum Riddell (Master of Arts Screen, 2019)
Production Design: Michael Price (Graduate Diploma in Production Design, 2012)
Editors: Jarrod Young (Graduate Certificate Screen: Editing, 2018), Peter Skinner
Composer: Trent Grenell
Script editor/stills photographer: Orla Doyle (Bachelor of Arts Screen: Production graduand)
Script consultants: Damien Higginbotham (Master of Arts Screen, 2019; Graduate Certificate in Screenwriting Fundamentals, 2013), Lachlan Marks (Graduate Certificate Screen: Screenwriting, 2018)
Camera operator: James McVicker (Master of Arts Screen, 2019)
First assistant camera: Christian McGuinness
Second assistant camera: Eduardo Castello
Third assistant camera: Nicola Kirkby
Sound recordist: Adam Roberts
Boom operator: Luke Fuller
First assistant director: Archie Chew (Master of Arts Screen, 2019)
Second assistant director: Gita Raju
Third assistant director: Alicia Easaw-Mamutil (Master of Arts Screen, 2019)
Gaffer: Aaron Ashwood
Grip: Tony Bosch, Kristian Bruneteau
Continuity: Jeremy Nicholas (Master of Arts Screen, 2019), Orla Doyle (Bachelor of Arts Screen: Production graduand)
Costume supervisor: Samantha Zenere
Hair and makeup supervisor: Lindsey Chapman
Makeup assistant: Lizzie Jacobson
Standby props: Belle Blamey (Graduate Diploma in Production Design, 2013)
Art department assistants: Nicki Brancatisano, Musab Buyukso
Set dressers: Alexandra Muir (Bachelor of Arts Screen: Production, 2018), Eirena Sapounas (Bachelor of Arts Screen: Production, 2018)
Production manager: Hannah Sidoti
Production assistants: Shannen Subrata
Unit manager: Jeremy Heddle, Kate Searle
Sound designer/mixer: Dylan Barfield
ADR recordist: Sean Doyle
VFX paint and clean up artist: Cameron Cregg
Colourist: Daniel Pardy
This River
Writer/director: Naomi Fryer (Master of Arts Screen, 2019)
Producers: Naomi Fryer, Katherine Shearer
Cinematographer/data wrangler: Ehran Edwards (Master of Arts Screen, 2019)
Production designer: Jess C.Wheatley
Costume designer: Loretta Egan
Editor: James A.Thomas (Master of Arts Screen, 2019)
Composer: Jenna Pratt Graduate Certificate Screen: Music, 2018)
Sound designer: Lana Kristensen (Graduate Diploma in Sound, 2014)
Sound recordist: Steve Nossiter
Boom operator: Florian Delain
First assistant camera: Carina Burke (Graduate Certificate Screen: Cinematography, 2017)
Second assistant camera: Annie Benzie (Specialist Extension Course Certificate Cinematography, 1994), Clementine Bourke
First assistant director: Keith Heygate
Second assistant director/extras coordinator/first aid on set: Alexandra Duggan
Continuity: Isabel Macmaster
Casting director: Nicole Sullivan
Production assistants: Isabel Macmaster, Emily Page
Gaffer: Tom Keyes
Lighting assistant: Paige Hilliard
Underwater camera: Chris Bryan
Drone operator: Clayton Lloyd
Art director: Mitchell Jones (Diploma in Screen Design, 2017)
Standby props: Ara Nuri Steel, Courtney Westbrook
Set decorator: Marianna Coretti
Standby wardrobe: Dominique Klein
Costume assistant: Elka Mantscheff
Makeup designer: Reia Perkins
Makeup artist: Tracey Reeby
Makeup assistant: Rohana King, Antoinette Carse
WHS risk assessment: Gordon Waddell
Intimacy coordinator: Michela Carattini
Safety officer: Dar Davies
Unit manager: Matt Ingram
Stills photographer: David Collins
Foley artist/editor: Les Fiddess
Foley re-recording engineer: Craig Beckett
Re-recording mixer: Sam Hayward
Titles and graphics: Jonathan Kwok
Music mixer: Geir Brillian
Colourist: Justin Tran
Who’s Afraid of the Big Bad Wolf?
Director: Erika Felton (Bachelor of Arts Screen: Production, 2019)
Producer: Mariella S. Solano (Bachelor of Arts Screen: Production, 2019)
Cinematographer: Roger Stonehouse (Bachelor of Arts Screen: Production, 2019)
Editor: Jaslyn Mairs (Bachelor of Arts Screen: Production, 2019)
Production designer: Sidonie Pitot de la Beaujardiere (Bachelor of Arts Screen: Production, 2019)
Composer: Ben Bauchet (Bachelor of Arts Screen: Production, 2019)
Sound designer: Steve Khoury (Bachelor of Arts Screen: Production, 2019)
Erwin
Director/screenwriter/producer: Lev Libre-Jutsen (Bachelor of Arts Screen: Production, 2018)
Producer: Nic Parker (Bachelor of Arts Screen: Production, 2018)
Editor: Angus Roche (Bachelor of Arts Screen: Production, 2018)
First assistant director: Harri Sharp (Bachelor of Arts Screen: Production, 2018)
